The jurors of Ateljé Stundars have held their Annual Meeting and decided on our Guest Artists for 2025:
January–April: Andrea Vera WENGER (Switzerland)
May–August: Denise SANCHEZ VACCARELLO (Spain)
September–December (in co-operation with Pro Artibus): Ruben RISHOLM (Sweden).
Ateljé Stundars, an international art residency founded in 1998, is a member of Res Artis: Worldwide Network of Arts Residencies and FAIRE, the Finnish Artist Residency Network.
Ateljé Stundars is run by KulturÖsterbotten, a division of the SÖFUK Federation of Swedish Municipalities in Ostrobothnia for Education and Culture (Svenska Österbottens förbund för utbildning och kultur, SÖFUK). SÖFUK, a joint municipal organization with fourteen member municipalities, is also in charge of the vocational education (Yrkesakademin i Österbotten) and the regional theatre (Wasa Teater) in Swedish-speaking Ostrobothnia.
Ateljé Stundars operates in conjunction and close co-operation with an open-air museum and centre of culture and art, the Stundars Museum, in the village of Solf in Korsholm, Finland.
For 2024, we have invited three Guest Artists to live and work at our residence for a period of four months each.
WORK PLAN:
I am an artist who has adapted to a wide range of art forms, including traditional paintings and installations. Additionally, I work as a scientific illustrator, creating illustrations for medical or biological purposes.
The project I am planning centers around my signature installation artworks, which revolve around two main themes: "Bad Carbs" and "Shit Cookies." These installations are created using either edible materials such as real food or nondegradable materials like plastic and resins. A consistent color scheme, often in pink or rose tones, unifies the visual aesthetic. The size of the artworks is adaptable, making them suitable for various exhibition settings.
The primary objective of the project is to foster audience participation and interaction with the installations. This not only reflects my perspective on highly processed food but also encourages visitors to reflect on their relationship with processed food and its environmental impact.
Web site: www.instagram.com/tianyuchenarts
Work plan:
The project is planned by the duo OSOTO lab. I and my partner would like to stay in Finland from May-August. Let us take full advantage of the four months and discover Finland's first-hand beauty and interest. We want to experience the unique characteristics of this time of year, when the weather is changing dramatically towards a brighter, warmer summer, in Ateljé Stundars. We would also like to sublimate our findings into a work of art.
During our stay we would like to do research in different parts of Finland. In particular, we would like to visit nearby Vaasa, Seinäjoki, and Kvarken Archipelago. Instead of staying in one place and investigating, comparisons can be made with several places to determine whether the feature is specific to Finland itself or to the region. In Solf, we want to experience the vastness of Meteoria Söderfjärden by day, time and weather. We also want to do research on the information we get from the area and the places we explore and discover.
Our research methodology involves the use of instruments such as anemometers, illuminometers and hygrometers to record. and Reference to weather data such as weather maps and sun angles. We also incorporate materials and traditions from the history of the place. By comparing these data with the flora, fauna and natural environment that we have experienced, seen and heard about, we can develop some patterns of characteristics.
While compiling these investigations, we would like to start creating artwork based on the elements we have discovered. The final work is undecided at the moment. It leaves us with various possibilities for expression. As our concept consists of communicating with a place, we consider the plans we have planned for the work in Japan to be meaningless. We will express the charm of the place and the time we find by experiencing it first-hand in installations and spatial works. We would then like to share this with others. Maybe it will be an opportunity to get people interested in the natural environment and animals in Japan.
Characteristics of each of the two OSOTO lab. members. Yumeo is cheerful and has a talent for getting on with everyone. Takatoku is calm, quiet and strong, and can get the job done. The two share experiences and continue to conceive and think about processes that lead to artworks because they are from our point of view. We hope that our days at Ateljé Stundars will be an evolution of our own.
Work plan:
Project Title: Echo
Statement:
Nature Mysticism has always been at the core of my research and practice, of which my focus is exploring the spiritual transcendence through nature and the inner consistency with universe. My practice is usually anchored in personal spiritual exploration, reaching out to establish a profound bond with the universal experiences of life. My nature-related research and artistic practice often involve the intersection of philosophy, religion, and science, and to probe our existence and relationship to the universe.
The aim of the project is to travel to places and use the local nature as my object of photography. When confronting with a fossil, when reading a mythological story, when walking on a mountain that remains unchanged in the millennia of wind, when ancient astrological prophecies from different cultures point to the same answer, I hear echoes from my soul, like images that remain in front of my eyes after waking from a dream. Echo is a compass, took me on the journey of a metaphysical quest in search of the enigma and unknown.
Drawing from my Chinese background, my artistic expression embraces a poetic and subtle aesthetic that echoes Eastern Asian traditions. Nevertheless, I am concerned with expressing shared human beliefs and messages that resonate across cultures. Besides, cultural hybridity and translatability and Psychogeography are also included in my work.
Method:
35 mm camera (SLR) + Black and white film
Film develop experiment
Silver print / Liquid emulsion print / lumen print + digital print
Note: The project will explore photography as a medium that sits closest to the artistic side of its spectrum. Therefore, abstraction and materiality of photography will be my focuses. And the dialogue between digital images and darkroom photography will also involving.
Result Product:
10–20 photography + exhibition (if available)
A handmade photobook
Web site: www.suxiayi.com
We offer our artists a peaceful rural environment with an excellent chance to concentrate on creative work. As of 2022, we invite three artists to live and work at our residence for a period of four (4) months each. There is only one artist staying with us at a time.
Our location and the facilites we offer are excellent for visual artists, painters, photographers and other artists who seek a peaceful place to concentrate on their work. Many of our artists have found great inspiration in the Stundars environment and in the surrounding nature.
We provide our artists with a studio and an apartment, both rent-free. The studio, right in the heart of the Stundars Museum area, is an excellent place to work for instance for a visual artist. The two-bedroom apartment just a stone's throw away from the studio is fully furnished and equipped.
A residency at Ateljé Stundars is free of charge. Our artists are paid a grant of 11 Euros a day to cover expenses for artist's supplies and materials.
Ateljé Stundars is located in the village of Solf (in Finnish: Sulva) in Korsholm (in Finnish: Mustasaari), Ostrobothnia on the west coast of Finland.
The street address of the residence is: Stundarsvägen 5, FIN-65450 Solf, Finland.
Coordinates (Google Maps): 63.014666586826024, 21.644184369817264
We expect our artists to join us with a solid work plan and a strong motivation to fulfill it. We strongly encourage all our artists also to engage in out-reaching activities and arrange artists talks, work shops, open studio events, exhibitions et cetera, both for the artist community in the region and for the general public. We expect all our Guest Artists to deliver at least one (1) Artist Talk (digital), either to fellow artists and/or art students or to the general public, during their time at our residence.
We expect our artists to pay all their travel expenses to and from our residence as well as their living expenses while staying with us – the grant of 11 Euros a day is for artist's supplies and materials only. We also expect our artists to have sufficient health insurance.
Who Can Apply?
Any professional artist is welcome to apply for residency with us. Please bear in mind that our location and the facilites we offer are best suited for visual artists, painters, photographers and other artists who seek a peaceful place to concentrate on their work.
How Can You Apply?
An application to participate in the residency program at Ateljé Stundars is made on our Web Application Form (accessible on this web page during the application period).
Application deadline: May 31st, for participation in our program the following year.
All applications for participation in the Residency Program, received within the period of application, are put before the jurors of Ateljé Stundars. The jurors carefully study each application, especially the work plan and the work samples submitted by the applicants. The jurors also evaluate the artistic merits of each applicant. One of the most important questions the jurors have to consider is how successfully a certain work plan could be put into practice within the actual context of Ateljé Stundars.
Once the jurors have reached their decision, all applicants are contacted through email.
The jurors:
We are happy to answer any questions you may have about our residence. Please e-mail us at Den här e-postadressen skyddas mot spambots. Du måste tillåta JavaScript för att se den.!
2023
Lenka Holikova (Czech Republic / Mexico)
Tanja Hamester (Germany)
Margot Araujo (France)
2022
Matilda Enegren (Finland)
Damla Tamer (Turkey / Canada)
Kirsimaria Törönen (Finland)
2021
Anisia Affek (Israel / Germany / Ukraine)
Ursula Sepponen (Finland / Sweden)
Diana Baumbach (USA)
2020
Jolene Mok (Hong Kong / UK)
Susanne Schär & Peter Spillman (Switzerland)
Andrea Coyotzi Borja (Mexico / Finland)
2019
Allison Roberts (USA)
Atefeh Majidi-Nezhad (Iran)
Jan Lütjohann (Germany)
Amanda Hellryd (Sweden)
2018
Hiram Wong (Australia / Hong Kong)
Minh Duc Pham (Vietnam / Germany)
Katrin Hotz & Jerome Lanon (Switzerland & France)
Susana Wessling (Portugal / UK)
2017
Hazel Barstow (UK / Norway)
Jo Ann Kronquist (Canada)
Juliana Irene Smith (USA / South Africa)
Behrad Hassanati (Iran)
2016
Shahrzad Malekian (Iran)
Cecilia Hultman (Sweden)
Barbara Tong (Hong Kong / UK)
Nicola Williams (UK)
Francesco Dipierro (Italy)
2015
Jane Hughes (Ireland)
Gloria Luca & Tudor Patrascu (Romania)
Anna Roberta Vattes (Germany)
2014
Anthea Bush (UK, Netherlands)
Bas Ketelaars (Netherlands)
Mariann Oppliger & Res Thierstein (Switzerland)
Johanna Kintner & Nora Mertes (Germany)
Heong uk Choi (Korea)
2013
Peter Luha & Lucia Cernekova (Czech Republic)
Soo Sunny Park (Korea, USA)
Christa Joo Hyun D'Angelo (Korea, USA, Germany)
Jochen Schneider (Germany)
2012
Rosalie Schweiker (Germany / UK)
Hanna Saks (UK)
Antje Pehle (Germany)
Sonja Hinrichsen (Germany / USA)
2011
Lisbeth Grägg (Sweden)
Anneli Holmstrom (Scotland)
Melania-Elisabeta Hangan (Romania)
Bas Ketelaars (Netherlands)
Anneli Holmstrom (Scotland)
2010
Andreanne Fournier (Canada)
Sophie Dvorák (Austria / Argentine)
Seungchee Kang (Korea)
Mathieu Leger (Canada)
2009
Michal Moskop (Germany / Israel)
Pamela Schilderman (Netherlands / UK)
James Kuehnle (USA)
Morgan Craig (USA)
Kyösti Linna (Finland)
2008
Eva Spikbacka (Sweden / Finland)
Hideki Kanno (Japan)
Maja Rohwetter (Germany)
Karin Kamijo (Japan)
2007
Britt Kootstra (Netherlands / Saudi Arabia)
Hanni Stolker (Netherlands)
Takashi Mitsui (Germany / Japan)
Eva Spikbacka (Sweden / Finland)
2006
Yoko Iida (USA / Japan)
Maria Petschatnikov (Germany / Russia)
Natalia Petschatnikov (Germany / Russia)
Markus Shimizu (Germany / Japan)
Dragos Alexandrescu (Romania)
Carla Cruz (Portugal)
2005
Samuel Nigro (USA)
Takehiro Mizumoto (Japan)
Sofia Bilius (Finland / Sweden)
Marina Kronqvist (Finland)
Karin Laaja (Sweden / Finland)
Britt-Lis Lindqvist (Sweden)
Catherine Davies (Wales)
Helen Malia (Wales)
Jeroen van de Ven (Netherlands)
2004
Sven Eggers (Germany)
Bente Lise Jakobsen (Norway)
Marianne Høyland (Norway)
Ronan Caulfield (UK)
Sally Timmons (Ireland)
Christer Carlstedt (Sweden)
Sigita Blaziunaite (Lithuania)
Samuel Nigro (USA)
2003
Bojana Romic (Yugoslavia)
Annukka Laine (Finland)
Tatsuo Hoshika (Finland / Japan)
Sari Carel (USA / Israel)
Ingela Sand (Sweden)
Sven Eggers (Germany)
2002
Janika Herlevi (Finland)
Anna Rossow (Finland)
Tomas Kulistak (Czech Republic)
Annukka Laine (Finland)
Tatsuo Hoshika (Finland / Japan)
Haruka Furusaka (Japan)
Eva Kobylarczyk (Poland)
2001
Asta Rakauskaite (Lithuania)
Renate Wincken (Netherlands)
Carme Bosch (Spain)
Dolores Bosch (Spain)
Teresa Nogues (Spain)
Janika Herlevi (Finland)
2000
Maxine Adcock (UK)
Merja Ylitalo (Finland)
Panu Thusberg (Finland)
Hanne Ivars (Finland)
Mary Stechschulte (USA)
Asta Rakauskaite (Lithuania)
1999
Maxine Adcock (UK)
1998
Ulrike Kuschel (Germany)
WORK PLAN:
I started a series of sun drawings during my first artist residency in Switzerland. It was inspired by the sun. The residency was in a valley in the Swiss mountains. The sun didn‘t shine for the first two months of the winter. That had a big influence on me and my way of working.
I would like to pick up where I left off during a possible stay in Finland. Since there are also months in Finland with no or very few hours of sunshine during the day, I think this is an exciting place for me to continue this series.
The sun drawing series shows the movement of the sun over different periods of time. I find it exciting how the process and transience of time is thematised. At regular intervals I draw the shadow of the sun on a sheet of paper. The sun is decisive and the author of the drawing. Like a photograph, time is captured in the Sun Drawings.
In my artistic practice I follow a methodology that reveals the process. I often find myself in a state of hesitation or doubt. I imagine that this emotional chaos is made visible in my work. I like the tension that results. Spontaneity and control are juxtaposed. I always look for a consistent solution in my paintings, and practical issues such as hanging often determine the appearance of the painting. One decision follows another. I try to follow a plan, but recognise happy coincidences as
such and include them in the process.
As I experienced during my first residency, this gives me the space I need and the freedom to work in this way. I haven‘t been able to work so freely since my residency in Switzerland. I would love to indulge in this process again to see what can happen.
Besides themes like time and the sun, I am also interested in materials. I try to experience them in my paintings. I try to empirically explore the properties and behaviour of different materials and incorporate them into my work. The conditions and space of the residency would allow me to do this.
The aim of my residency would be to create a completely new series of paintings. A series based on the influences and circumstances of being in Finland. I can imagine working with everyday materials from crafts or nature, such as the charcoal used to heat saunas or the local clay. This is just a first idea. I want to take the time to immerse myself in the environment. To familiarise myself with the land and the place. This is the key to my work. I would be delighted to have that opportunity.
Website: www.andreavera.ch
Artist name: Dennise Vaccarello
WORK PLAN:
During my stay at Solf, I plan to carry out a fiction-based project entitled 'A Little Bird Told Me'. This project is a fictional exploration of the surroundings of the residency to examine the permeability between the real and the oneiric, using the incubation of dreams through found objects to reflect on the landscape and context. The aim is to create a sculptural installation, a fictional video essay, and an artist's book inspired by the Söderfjärden crater.
With this project, I want to explore aspects that I have addressed in my previous work: artistic research as a narrative genre of fiction and an animist conception of landscape as a methodology for reflecting on nature. In more detail, my aims are:
1. To create a site-specific installation in the studio based on small sculptures that allow me to explore the limits between the ordinary and the extraordinary. Bearing in mind that when you travel to a new place, details such as the color of the stones, the change of light, or the environmental sound can be fascinating in contrast to what you are used to, I will use this fascination as a starting point for creating a dialogue with the site and its surroundings.
The idea is to collect elements of the landscape (wood, stone, roots, sounds...) and create a sculptural installation that simulates the map of an explorer of the cosmos, which will be used to search for the origins of the meteorite that created the crater.
In order to carry out this fictitious investigation, it will be necessary to develop, through dreams, the ability to read the past of objects. That is to say, during the day I will search for material and work with it, and at night I will search for it in my dreams. Hopefully, this search will lead me to imagine the world the meteorite came from, what it saw on the way, or what it felt like to be part of a new world.
2. All this research will be captured in a fictional video essay to reflect on the universe and how the perception of reality can be shaped through fiction and dreams. In other words, how the world we live in can be shaped through stories. The video will include images of the area, the artistic process, the search, dreams, and reflections, as well as a soundscape made with natural recordings of the area, such as its birds and people.
3. I will keep a record or diary of the experience during the stay, which will eventually form part of the project as an ‘artist's book’ where the dreams, sketches, and ideas that arise during its materialization will be recorded. A map of the sculptural installation will be included in it, so that when I dismantle the installation-space, a record of the piece will remain.
Website: www.dennisevaccarello.com
In co-operation with Pro Artibus Foundation.
PRESENTATION (in Swedish only):
by Curator Markus Åström, Pro Artibus Foundation
Konstnären Ruben Risholm ingår i Sinnes program Januari 2026, vilket gör att det faller sig naturligt att han arbetar under en residensperiod på Ateljé Stundars hösten 2025. Risholm utexaminerades år 2022 från Malmö konstakademi. Han bor och arbetar i Sverige. Hans figurativa konst fokuserar främst på människofigurer i trä, men han arbetar också i andra material som sten, metall och keramik. Han är intresserad av hur myter och sagor överförs vidare över generationer, hur bildkonsten förkroppsligar det ordlösa och omedvetna och hur konsten som tradition öppnar upp för en djupare förståelse mellan oss människor i ett längre perspektiv.
Risholms grovarbete sker utomhus med motorsåg och vinkelslip. Efter grovarbetet mejslar han fram den slutliga ytan med stämjärn i ateljén. Risholm är också intresserad av klockgjuteriet som är verksamt i området. Han skulle arbeta med lokalt trä som fällts på Stundars eller i närområdet. Det här skulle kräva att man förbererder med att torka på förhand utvalt virke.
Website: www.rubenrisholm.com
Risholm is represented by Gallerie Thomassen: www.gallerithomassen.se
The Ateljé Stundars studio is housed right at the heart of the Stundars Museum area, in the attic of a beautiful traditional wooden house.
The studio has a large window facing north. On a bright summer day, the natural light coming through the window is quite sufficient, but most days artificial light is needed. The studio therefore has strong electrical light.
The 60 m² studio is equipped with tables and chairs and an easel. Basic artist's supplies and materials can be bought in Vasa, but we advise our artists to bring as much with them as possible, at least crucial supplies and material.
The studio shares the attic with the Stundars Museum Office. There is a door between the office and the studio.
The stairs leading up to the attic are quite steep. The studio is therefore not handicapped-friendly.
Even though winters in Finland may be bitterly cold with temperatures down to -20 degrees Centigrade, the studio offers a warm and dry place to work.
The artist’s apartment is situated in a terrace house some 200 metres from the studio. It consists of two bedrooms, a living room, a kitchen and a bathroom / toilet.
The apartment is quite spacious (75 m²) with big windows in the living room (and kitchen) facing south. Many of our artists have used the living room as a home studio. The windows in the two bedrooms face north.
The artist residence operates in conjunction with an open-air museum and centre of culture and art, the Stundars Museum. The Stundars area is quite busy, especially during the summer, with a lot of activity going on: crafts days, exhibitions, concerts, children’s events, time travel etc. There is also a small gift shop-cum-café in the area.
Ateljé Stundars is surrounded by open plains with a rich bird life. Deep forests and a beautiful archipelago can be found within biking distance from the studio.
The 520 million-year-old meteorite crater of Söderfjärden lies within walking distance from the residence. Today the circle-shaped cultivated crater plain is one of the most interesting geological sites in Finland and a true paradise for bird watchers in both spring and autumn. From the bird-watching tower you can on a good day observe thousands and thousands of migrating cranes, swans and geese.
Meteoria, a visiting centre right in the middle of the crater, features an advanced exhibition of the entire history of Söderfjärden. There is also a well-equipped astronomical observatory with a telescope for studies of celestial bodies hundreds of millions of light years out into the universe.
The village of Solf is part of the municipality of Korsholm. With its 20,000 inhabitants Korsholm is the third largest municipality in the region of Ostrobothnia. The closest city is Vasa (in Finnish: Vaasa), some 17 kms north of Solf. Vasa with its 60,000 inhabitants has a rich cultural life and offers a number of interesting museums and galleries, for instance
In Jakobstad (in Finnish: Pietarsaari) some 100 kms north of Vasa, the Novia University of Applied Sciences offers a Master's programme in culture and art. Degree programmes in arts and culture is offered also by the YA – Vocational College of Ostrobothnia. Both operate at the Campus Allegro in the city centre.
There is also an artist residence in Jakobstad, AiR Jakobstad.
The Kvarken Archipelago is the only natural heritage on Unesco's World Heritage List in Finland. The area received the World Heritage status because it is the best place on earth to witness and observe the unique geological phenomenon of land uplift.
Finland is a bilingual country with two national languages: Finnish and Swedish. The Swedish-speaking population is concentrated on the west and south coast of Finland as well as on the Åland Islands.
The region of Ostrobothnia with some 180,000 inhabitants is the only region on the mainland with a Swedish-speaking majority. Many people are bilingual and speak both Finnish and Swedish, but there are people, especially among the elderly, who are not able to communicate in the other national language.
Most people in Finland speak English quite well.
Kungsgårdsvägen 46 A, 65380 VASA, FINLAND
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